Frederick Ashton’s Ballets:  Style, Performance, Choreography, by Geraldine Morris, Dance Books, 2012

Original, informed and scholarly, this book could transform the way in which Ashton’s ballets are performed today.  On p.60, Morris quotes Nijinska’s complaint:  The dancers turn everything into what they can already do and consequently ‘falsely transmit the choreographic score …’.  Morris addresses this problem with regard to Ashton’s work, which, she argues, we are in danger of losing if we fail to recognise the individual style that is intrinsic to his choreographic output. (more…)

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