Phizzical Productions present their brand new show Bring on the Bollywood, bursting in to Oxford Playhouse on Tuesday 15 to Saturday 19 August. With a dynamic cast of celebrated British Asian performers and young rising stars, the comedic musical of East meets West brings the explosive colour, vibrancy and beauty of classic Bollywood to the British stage. Bring on the Bollywood opens in Oxford on the 70th anniversary of Indian Independence.

New and old collide in this vivid comedy, full of intertwined love stories, dazzling dance and a sensational soundtrack. Bring on the Bollywood takes a love story inspired by real life, filters it through classical comedies from Goldsmith to Shakespeare and infuses it with all the energy of a great Bollywood musical. Come and join Katrina, our headstrong heroine, as she leaves London and returns to her ancestral home, the shabby and un-chic Lakshman Villa, for her brother’s wedding. Here she finds a meddling mother, a line of suitors and, just possibly, true love…

Created and directed by Samir Bhamra, Artistic Director of Phizzical Productions and Creative Director of the London Asian Film Festival, this dynamic nationwide touring production brings a kaleidoscope of colour and Bollywood magic for this delightfully romantic riot of Anglo-Indian exuberance.

Newcomer Nisha Aaliya plays the fiery heroine Dr. Katrina Pawar and is accompanied by a cast of 13 fellow Bollywood performers including Avita Jay (Spare, New Diorama Theatre) and Anthony Sahota a recent finalist on Gary Barlow’s Let It Shine (BBC One). Making his professional acting debut is Robby Khela, whose work in music has seen him support pop acts such as Craig David, Blue, Lemar, Girls Aloud and Misteeq on tour.

Bring on The Bollywood is a love letter to traditional Bollywood, innovated for musical theatre aficionados and contemporary Bollywood lovers alike.

Performances:  Tuesday 15 to Saturday 19 August

Times: Tues to Thurs & Sat eves: 7.30pm | Fri: 8pm | Thu & Sat mats: 2.30pm

Venue:  Oxford Playhouse, Beaumont Street, Oxford OX1 2LW

Tickets: £11.50 to £28 | Discounts available

Book online here, or call the Box Office on 01865 305305

Age guideline: 8+ 

Phizzical Productions specialises in producing and commissioning classical, contemporary and popular arts influenced by Asian, Arabic and African cultures. It develops new talent, produce and tour new work across all art forms. Recent successes include Ram Lila, an outdoor commission by Leicester City Council for the largest Diwali celebrations outside India, a national tour of Shakespeare’s Cymbeline, and singer Navin Kundra’s Tribute to Rajesh Khanna the first superstar of Bollywood.  Find out more about Phizzical Productions here

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Following the success last year of Nijinsky’s Last Jump Company Chordelia return to The North Wall for the only performance of their new dance theatre show south of the border.  Lady Macbeth: unsex me here is an exciting and unique piece of dance theatre is created and directed by award winning company Artistic Director Kally Lloyd-Jones and presented in co-production with Solar Bear.

Marking the 400th anniversary of Shakespeare’s death and programmed here as part of Shakespeare Oxford 2016 celebrations, Lady Macbeth: unsex me here explores one of Shakespeare’s most complex women. Ambition, power, guilt, remorse, loss, death. Paralleling Shakespeare’s time, a cast of three male dancers all play Lady Macbeth, exploring the relationship between masculinity and femininity.  Using Shakespeare’s language as the source, British Sign Language is used to create choreography, producing a piece of visceral dance & movement theatre which will reach D/deaf and hearing audiences alike, in different ways.

Kally Lloyd-Jones said, ‘Lady Macbeth is a fascinating character but her story recedes into the background in Shakespeare’s play and I wanted to shine a light on it, colour it in, bring it to the fore. I am sure many people, like me, find themselves fascinated by the BSL interpreters at performances. It is a visual, movement language and I have wanted to explore how that might become a foundation for choreography. I was thrilled when Gerry Ramage, Artistic Director of Solar Bear, loved the idea so much that the company became our invaluable co-producers.  Using Shakespeare’s text as a starting point enabled a process that is part BSL-based choreography, part dance and part physical theatre, as universal visual languages.’

Gerry Ramage, Artistic Director Solar Bear said, ‘Solar Bear is delighted to be working Company Chordelia on Lady Macbeth: unsex me here. This ground-breaking new work, which explores how British Sign Language may be interwoven into the physical language of the piece, continues our journey towards enriching the theatre going experience for D/deaf and hearing audiences alike. It is a stunning, powerful and very moving piece of dance and theatre and we are proud to be associated with it.’

Date:  Wednesday 26th October, 8.00pm

Venue:  The North Wall Arts Centre, South Parade, Oxford OX2 7JN

Tickets:  £16, £13 concessions

Book online here or by telephone: 01865 319450

You can find more information about Company Chordelia here

Read Maggie Watson’s review of Company Chordelia’s previous performance at The North Wall of  Nijinsky’s Last Jump here

We know a great deal, yet very little, about Nijinsky.  The traces of his life, his dancing and his choreography have been used to create biographies, reconstructions, plays, films, novels and documentaries, but we can never, of course, recreate the experience of watching him dance.  Kally Lloyd-Jones’ work addresses a very specific aspect of Nijinsky’s life; his tragic descent into madness.  Nijinsky’s Last Jump asks what happens when someone loses touch with what the rest of the world considers to be reality.

At the start, we encounter Old Nijinsky (James Bryce), confined within a set that represents both the asylum and the theatre (the flowers, the dressing table, the posters), before his younger self (Darren Brownlie) leaps through the window stage right and collapses panting on the floor.  We know from Old Nijinsky’s ports de bras, the costume and the music that this is Le Spectre de la Rose, and throughout the work Lloyd-Jones uses musical references to conjure up instantly the ballets that shaped and punctuated Nijinsky’s life. (more…)

The North Wall is delighted to announce that Scotland-based Company Chordelia will bring Nijinsky’s Last Jump to Oxford as the only English venue on its UK tourAt Edinburgh Fringe Festival 2015, the show gained wide acclaim amongst critics, described by The Guardian as ‘one of the gems of this year’s Edinburgh fringe.’

Created, directed and choreographed by Company Chordelia’s Artistic Director Kally Lloyd-Jones Nijinsky’s Last Jump combines theatre and dance to evoke the legendary 20th Century dancer Vaslav Nijinky’s journey from global success to the desolate isolation of mental illness. As the passionate obsession of the young Nijinsky (Darren Brownlie) comes face to face with the searching inner life of the older Nijinsky (James Bryce), this sharp and tender show portrays a poignant intimacy of genius and madness, youth and age, both the performing and private self.  Inspired by the rhythmic obsession of Nijinsky’s diaries, Young and Old Nijinsky consider their life together, on and off stage, trying to make sense of the loss of self. (more…)

Oxford Playhouse welcomes balletLORENT’s dance theatre adaptation of the well-loved Brother’s Grimm fairytale Snow White.  Known for their fantastical and visually stunning productions, leading UK dance company balletLORENT present this new work charged with emotion through haunting music and exquisite storytelling.  Reimagined through dance and music, Director and Choreographer Liv Lorent brings to life Poet Laureate Carol Ann Duffy’s masterful writing creating a visually powerful performance.

A mirror names, and ultimately curses, a beautiful young woman, ‘the fairest of them all’, throwing her mother into a jealous rage. Fleeing from those set to capture her, Snow White stumbles across seven miners deep in the forest, hoping to forge a new life away from fear. A captivating tale with all the classic elements: red apples, magical mirrors and the Evil Queen. (more…)

Lost Dog was originally formed to create work that crosses the borderline between theatre and dance, and Ben Duke’s one man response to Milton’s epic poem Paradise Lost is a fascinating multimedia hybrid that fuses genres, morphing between verbal story telling and physical theatre, stand-up comedy and dance.

The space is defined by a circular white tarpaulin floor with a single wooden chair. In a nondescript grey work suit Duke shambles in with a well thumbed paperback of Milton. His self-deprecating gently shambolic opening apologia addressing the audience is comically at odds with the apparent grandiosity of his ambition, and sets up a portrayal of God refreshingly and provocatively different from the notion of all powerful deity; initially diffident, uncertain, fumbling and having second thoughts. (more…)

Returning to The North Wall Lost Dog Dance presents Paradise Lost (lies unopened beside me).  Milton’s epic poem is brought to life in this one-man dance theatre adaptation, featuring words, dance and an electric soundtrack.  Tens of characters and tens of thousands of lines of poetry relayed in one hour by one man who promises to dance the complicated bits

Ben Duke tells the epic story of the banishment of Satan from Heaven, the creation of Earth, the temptation of Adam and Eve and their expulsion from the Garden of Eden through words, music and dance. By himself. Paradise Lost follows Lost Dog’s previous literary adaptation, Like Rabbits, which was based on the Virginia Woolf short story Lappin and Lapinova, and was devised by Ben Duke in collaboration with Lucy Kirkwood (Chimerica). (more…)