Fresh from a sold-out week run at the Barbican, Rhiannon Faith’s current work, Smack That (a conversation), has been touring the UK to critical acclaim, and will be performed at Oxford’s Burton Taylor Studio on 25th April.  Rhiannon Faith is a socially conscious contemporary dance artist whose work is an agent for discourse and change; she makes form-defying autobiographical shows that have guts, and that take guts.  Her creative process draws  stories from the communities and artists she works with. The result is work which uses dance and theatre (in their widest meanings) to take the audience on a narrative led journey, which is both challenging and accessible.

In Smack That Beverly is having a party and you are one of her guests. Each member of the all-female cast fearlessly takes on the persona of Beverly to convey real experiences.  The unusual setting creates a safe space for them to reveal the turbulence and challenges they have faced and celebrate their endurance with the audience. Expect games, dancing, humour and a very raw and honest account of domestic abuse.

Rhiannon Faith’s work often involves a wide range of collaborating partners including a psychologist, a neuroscientist, a domestic abuse charity, and most recently a philosopher on virtue ethics and moral psychology.  Smack That (a conversation) has also been published by Oberon Books as an instructional dance play.

Performance:  Thursday 25th May 7.30pm

Venue:  Burton Taylor Studio, Gloucester Street, Oxford OX1 2BN

Tickets:  £10 Book online here, or call the Oxford Playhouse Box Office on 01865 305305

Duration:  1 hour 20 minutes with no interval

Age Guideline:  18+

Find out more about Rhiannon Faith here

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The Olivier-nominated dance/theatre company LOST DOG tour their smash-hit production Juliet and Romeo to Oxford this autumn. Juliet & Romeo opened to packed houses and critical acclaim at a two week run at Battersea Arts Centre in London earlier this year. Broadly based on Shakespeare’s deeply pessimistic teenage love story, this “highly entertaining, extremely amusing and occasionally quite tender evening of theatre and dance” (Times) is performed by Lost Dog’s Artistic Director Ben Duke and Solène Weinachter. This clever, funny production explores contemporary culture’s celebration of youth and how it creates unrealistic expectations around love, sex and relationships. (more…)

A fascinating and thought-provoking performance coming to The North Wall this week.  Stroke Odysseys is an ambitious piece of dance theatre performed by an ensemble of stroke survivors, supported by professional dancers, singers and musicians.  The show explores intertwined journeys of recovery from stroke and asks what impact the act of storytelling through dance and song may have on the brain’s ability to heal itself.

This new production by award-winning choreographer Ben Duke and composer Orlando Gough is commissioned by Rosetta Life – a charity that changes the way we perceive the frail and disabled.  The performance is supported by an education programme of talks and workshops led by experts including dancers, musicians, neurologists and stroke survivors.

Venue:  The North Wall Arts Centre, South Parade, OX2 7JN
Performance:  Thursday, 25th October 7.30pm
Tickets:  £16 (concessions £14)  Book online here, or call the box office on: 01865 319450

Following the success of Rapunzel and Snow White, award winning balletLORENT returns to Oxford Playhouse with the final show in their trilogy of fairytales, Rumpelstiltskin, directed by Liv Lorent.  Full of action and humour, this emotionally rich story retold by Carol Ann Duffy is set in a rural world of sheep, straw, wool and spinning; where the alchemist Rumpelstiltskin is outcast until he is revealed to be ‘the true prince that he was’.  With choreography by Liv Lorent and the company involving a local intergenerational cast, a score by Doctor Who composer Murray Gold, costumes designed by Michele Clapton (Game of Thrones), narration by actor Ben Crompton, this is dance theatre for 21st Century family audiences.

Phil Eddolls (set design) and Malcolm Rippeth (lighting design) once again join the world class collaborators team, along with associate lighting designer Michael Morgan, to create a visually stunning setting for Rumpelstiltskin.

“It is a thing of magic and beauty, not so much a cautionary tale but one of hope and reconciliation.” David Whetstone, Newcastle Evening Chronicle (*****)

“It’s a fitting, sumptuous and beautifully realised production to bring the five years of the trilogy to its culmination and well deserved the enthusiasm and standing ovation with which it was greeted.” Peter Latham, British Theatre Guide

“Fabulous show – beautiful to watch, wonderful storytelling and choreography; a very special evening..” Northern Stage Audience Member

“I haven’t enjoyed a show so much for a long time. I was delighted and left in tears by your production.” Northern Stage Audience Member

Performances:  Friday 1st June 7.00pm, Saturday 2nd June 2.00pm & 7.00pm

Venue:  Oxford Playhouse, Beaumont Street, Oxford OX1 2LW

Tickets:  £10-£21, book online here or call the Box Office on 01865 305305

Duration:  Approximately 1 hour 40 minutes with interval

Age guideline:  7 plus

Find out more about the company and the production here

“Spring is coming…” I wrote in posting an advance round-up of performance and other events for this year’s edition of Dancin’ Oxford Festival 1st – 11th March 2018. It would perhaps have been more appropriate to post “Winter is coming…” as the arrival of the “Beast from the East” took some casualties in the first weekend of programming. Heavy snowfall and consequent travel disruption led to the postponement to a later date (to be announced) of the one day Dance and Academia conference, with several guest speakers unable to get there. That same day (Saturday 3rd March) Company Chameleon’s performance at Pegasus Theatre was also cancelled.

Other companies who had arrived in Oxford a day or two earlier before the snow were able to continue with scheduled performances in true “the show must go on” style, and with encouragingly healthy audiences. At the end of Theatre Ad Infinitum’s Friday evening performance of Odyssey at The North Wall, performer George Mann gave a heartfelt thanks to those that had made it. I found this lively retelling of Homer’s great story of journey and homecoming well worth crunching through silent snowy streets for. (more…)

A small boy and a man sit facing each other, cross-legged, on one of 21 large oblong boxes. At first, the man seems to be telling a story that is brought to life behind them as a single warrior monk appears centre stage; or perhaps the man is a divine being, or a puppeteer who can manipulate events. Before we can decide, the wooden boxes begin to move, thumping and thudding forwards as they roll towards us on their long sides, revealing openings, like coffins without lids from which living people emerge.

This is an extraordinary collective work for a group of male performers who have none of the physical homogeneity of a corps de ballet, yet seem to think and move as one, as they appear and disappear among, between and inside the boxes. (more…)

In the intimate setting of The North Wall Arts Centre (Oxford), choreographer Ben Wright’s bgroup, in collaboration with the independent theatre studio China Plate, presented a new piece of dance theatre “Point of Echoes”, commissioned by the Rural Touring Dance Initiative (a newly funded initiative aiming to bring contemporary dance to rural areas).

The performance space is a circular and waist-high wooden platform with two slowly slopping access ramps on its outside; it is surrounded at the north and south ends by 4 rows of seats and to the east and west by seat-free galleries. Immediately upon entering, we are intrigued. (more…)