Dance and Academia presents another thought-provoking seminar in its current series, which continues the theme What is Dance without an Audience?, following three seminars in 2017/18 exploring diverse perspectives from the dance world and beyond.  Convened by dance dramaturg Miranda Laurence, this evening includes presentations by Cathy Seago (University of Winchester) and Lizzie Sykes (University of Bournemouth), and by Lise Smith:

A Somatic Lens

Lizzie Sykes (screen-based artist) and Cathy Seago (dance artist) have been working collaboratively to generate work by asking somatic and filmic questions about content and presentation. We are exploring the nature, impact and materiality of the ‘screen’ and the ‘lens’ in mediating emergent work that has potentially live and digitised elements. Responding organically to site and place via a somatic and kinetic focus we have questioned the spectator’s role and impact on the work at different stages – be they live, mobile, choice-making, unsuspecting, distanced, imagined, and/or literate in particular codes. This presentation will share some of the questions, processes and findings about presence, perspective and environment for dance/ film audiences.

The Critic as Audience Member: reflecting on the role of the reviewer

We often think about the relationship between a Theatre reviewer and the artist reviewed or the work presented. But what about the critic as audience member? How does a critic’s place in the audience reflect and impact in their experience of a performance? How do they speak for, to and on behalf of the watching audience? And why does it sometimes feel like the reviewer and the rest of the audience have just watched two completely different works? Dr Lise Smith (often a reviewer, frequently an audience member, mostly a producer and sometimes a performer) opens these and other questions to discussion.

Date:  Thursday 1st November 2018, 6-8pm
Venue:  St Aldate’s Room, Town Hall, St Aldate’s, Oxford OX1 1BX
Tickets: £6 (pay cash on the door – please bring exact money if possible)
Reserve a place by emailing miranda@mirandalaurence.co.uk. Places are limited.

Dance & Academia: Moving the Boundaries is an Oxford-based project set up in 2007 and run by dance dramaturg Miranda Laurence. The project aims to facilitate dialogue between practitioners, academics in any field, and lay people, who have an interest in any aspect of dance or movement.
Oxford is a city with a rich academic heritage and is also host to a strong community of professional dance practitioners. Dance & Academia aims to be a genuinely interdisciplinary platform where intersections between research and practice in dance can be explored. The group welcomes everyone regardless of background, and intends to be an egalitarian space respecting and exchanging all kinds of different ways of knowing.
More information available here.

Dance & Academia is supported by Dancin’ Oxford festival.

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Dance and Academia‘s fascinating seminar series programmed by Miranda Laurence continues this week with its third session presented by Professor Nicky Clayton and Clive Wilkins (Department of Psychology, University of Cambridge):

What is dance without an audience? An investigation beyond language and the complexity of our social interaction to explore wordless thoughts~ to include demonstrations of tango and magic.

i. Does an audience have to be real?
ii. Is dance without an audience merely ritual, resulting in an altered state, and if so, what kind?
iii. Is dance without an audience simply the confirmation of a heartbeat?
iv. Is the introspection of an intimate partner dance audience free, and if so, what is being explored?
v. Is dance without an audience the opportunity to invent and explore realities that exist outside of the compass of shared experience?

Date:  Tuesday 6th February, 6-8.15pm

Venue:  Heritage Learning Centre, Town Hall, St Aldate’s, Oxford OX1 1BX

Tickets: £5 cash on the door per seminar (£1 off for any repeat attenders). Please email miranda.c.laurence@gmail.com to reserve your place.

The seminar series concludes with a Culmination Conference  during the Dancin’ Oxford Festival.  A whole day provides opportunities  for exploring responses around questions of dance and audience. Themes will include dance in ritual and worship contexts; the role of the dance critic; a workshop on the Visual Matrix Method of accessing audience response; investigations into performer-audience connections across Bharatanatyam dance, site-specific work and other disciplines.

Date:  Saturday 3rd March, 10.30am-4.30pm

Venue:  Harold Lee Room, Pembroke College, St Aldate’s, Oxford OX1 1DW

Tickets:  £20 – please book here
Includes lunch and refreshments

For further information visit www.mirandalaurence.co.uk