Aporia, presented by Thomas Page Dances at the Old Fire Station last night, is a work of gruelling physicality. It is also didactic and earnest, and felt at times like a lecture illustrated by movement. Billed as an investigation that explores social unrest and the relationship between peace and conflict, the work’s movement vocabulary is vigorous to the point of violence: the dancers throw themselves at the floor landing hard on their hands and feet, contort their backs twisting into backbends with rolling ankles, or confront each other like martial arts practitioners (Page had early training in kick-boxing). Page is not limited by adherence to a specific dance system, and seems to have devised his own training method: company class includes a programme, referred to with some dread by the dancers, as ‘The Ten’, in addition to improvisation and work based on whichever piece is in performance. (more…)