Oxford’s The Occasional Orchestra conducted by Fifi Korda brings together music by Debussy, Richard Strauss and Gershwin with dance by emerging choreographers in the majestic setting of Oxford University’s Sheldonian Theatre.  Inspired by the flawless merging of art forms in the Ballet Russes, Song and Dance brings you the next generation of Britain’s artistic talent.  The evening will premier a new ballet by the Royal Ballet Choreographic Apprentice Charlotte Edmonds, featuring Emma Farnell-Watson and Kaine Ward dancing to  Debussy’s Prélude à l’après-midi d’un fauneIt will also feature choreography by former-Royal Ballet School dancer Finn Cooke in Richard Strauss’s 4 Last Songs, alongside upcoming soprano Roxanne Korda.

Date:  Friday 3rd March 8.00pm

Venue:  The Sheldonian Theatre, Broad Street, Oxford OX1 3AZ

Tickets:  £10, £7 concessions

Book online here or call 01865 277299

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Yorke Dance Project’s innovative programme at The Mill Arts Centre was an exceptional and exciting opportunity to see both new work and a rarely performed twentieth century ballet.

Sea of Troubles, inspired by Shakespeare’s Hamlet, which Kenneth MacMillan created for Dance Advance in 1988, has been reconstructed by its notator Jane Elliott and rehearsed by Susie Crow, who was one of the original cast. Breaking free from the constraint of strict narrative structure, MacMillan’s barefoot ballet explores the psychological trauma that lies beneath the surface of the play as Hamlet, an embodiment of the ‘outsider’, is tormented by the need for revenge. Dancers must turn on an emotional sixpence as they share roles, representing first one character and then another, to music that, unusually for ballets of the nineteen-eighties, ‘spliced’ together pieces by different composers (Anton Von Webern and Bohuslav Martinu). (more…)

Following a sold-out preview performance at the Royal Opera House’s Clore Studio earlier this year, dynamic Yorke Dance Project’s latest touring programme Rewind Forward (formerly titled Inspirit) will be touring this Autumn and in Spring 2017, and opens its tour with performance at The Mill Arts Centre Banbury on Thursday 22nd September as part of their current Season of Dance. Rewind Forward features work which crosses boundaries between ballet and contemporary dance, placing revivals of two masterworks from Kenneth MacMillan and Robert Cohan alongside three, stunning world premieres by Robert Cohan, Yolande Yorke-Edgell and Charlotte Edmonds.

The programme features a rare reconstruction of Kenneth MacMillan’s 1988 Sea of Troubles, a short work originally created for Dance Advance, an ensemble of former members of the Royal Ballet. In a programme note for the premiere MacMillan explained his inspiration: “I have taken as a starting point the effect of the death of Hamlet’s father without a literal telling of the play. With the appearance of his father’s ghost, and Hamlet’s realisation of the need for revenge, his tormented world became a nightmare”

Alongside MacMillan’s work is a revival of Robert Cohan’s Nympheas. Choreographed in 1987, Cohan’s serene duet is set to Debussy’s Clair de Lune.  The programme also includes the world premiere of Cohan’s newest duet, Lacrymosa, set to music by Dmitri Yanov-Yanovsky.

For the second time, the company performs a world premiere by Charlotte Edmonds, currently the Royal Ballet’s Young Choreographer in Residence. With support from the PRS Foundation, YDP commissioned Edmonds and composer Donna Mckevitt to create a new work following their participation in the company’s 2015 Cohan Collective.  Self is inspired by the famous trio from MacMillan’s Manon. The programme concludes with the premiere of artistic director Yolande Yorke-Edgell’s Untethered, choreographed for the entire company to music by the string quartet Brooklyn Rider.

There will be an informal Question and Answer session after the show with company Director Yolande Yorke Edgell and Susie Crow, member of the original cast of Sea of Troubles.

Performance:  Thursday 22nd September 7.30pm

Venue:  The Mill Arts Centre, Spiceball Park, Banbury, Oxfordshire OX16 5QE

Tickets:  Tel: 01295 279002
Box office open Mon to Sat 10am – 8pm: or book online here

Find out more about Yorke Dance Project here

 

As part of the Shakespeare Oxford 2016 Festival programme the Weston Library will be hosting the dynamic contemporary ballet company Yorke Dance Project directed by Yolande Yorke Edgell.  The company will be in residence on Sunday 18th September, presenting an open rehearsal and excerpts of Sir Kenneth MacMillan’s rarely performed work, Sea of Troubles, based on Shakespeare’s Hamlet, with an ensemble of six outstanding dancers.  Nine separate scenes comprise MacMillan’s only bare-foot ballet, which focuses on Hamlet’s psychological state, interpreted through the physicality, emotion and complex partner-work of the choreography set to intense and evocative 20th century chamber music by Webern and Martinu.  Susie Crow, who danced in the original production commissioned from MacMillan in 1988 by innovative ballet company Dance Advance, will rehearse the dancers and explain the fascinating creative process.  The work will subsequently be touring as part of the company’s programme Rewind Forward, which also features works by master contemporary choreographer Robert Cohan, emerging talent Charlotte Edmonds and Yolande Yorke Edgell.

Date:  Sunday 18th September, 11.30-4.00pm

Venue:  Blackwell Hall, Weston Library, Broad Street, Oxford OX1

Free of charge

To fully immerse yourself in the process before the performances on Sunday 18th September, why not come to the:

Talk and Movement Workshop led by Struan Leslie and Susie Crow

Free of charge; open to all

7.30pm on Thursday 8th September at Summertown Library, South Parade, Oxford OX2 7JN.

You can see Yorke Dance Project in Rewind Forward in performance at the Mill Arts Centre in Banbury on Thursday 22nd September: book tickets here and find out about the Rewind Forward programme here

Susie Crow writes about the work of reviving Sea of Troubles here

Yorke Dance Project’s Figure Ground is a glorious evening of pure dance. To see three really good new dance works and a revival of another in one programme was a rare treat.

The evening at Swindon Dance opened with a short original piece by students, that drew on ideas and movement motifs that would be seen later on. The programme proper then began with Charlotte Edmonds’ No Strings Attached to a score by Michael Gordon. It opens to the sound of rainfall with three men (Jonathan Goddard, Benjamin Warbis and Edd Mitton) powerfully dominating the space in full pliés in second with their arms extended, seeming to fill the stage. They are joined by Laurel Dalley Smith, Amy Thake and Hannah Windows, but the dancers work more as a group than as three pairs. Edmonds’ response to the music is subtle, using the underlying pulses and not just the more obvious surface rhythms for her movement patterns. Nothing is predictable, there are hints of narrative or relationships – here, the notion of the group and those outside the group; there, the suggestion of a couple – and she creates balance on stage without resorting to the purely symmetrical in this very satisfying work. (more…)