Northern Ballet’s new work, based on John Boyne’s eponymous book, tells a complicated story set in and around a death camp in the midst of the Holocaust. This is extraordinarily difficult subject matter, which does not lend itself easily to narrative dance, and choreographer Daniel de Andrade along with his collaborators (dramatic coach Patricia Doyle, designers Mark Bailey and Tim Mitchell, and composer Gary Yershon), has done well to convey the complex plot.

The score, which is demanding to listen to and intricate to play, is integral to the work, and at times the instrumental accompaniment and danced steps seem to represent conversations between the characters, in the manner of a scene in a nineteenth century ballet. (more…)

Advertisements

Inspired by a painting, a poem, Bach, Stravinsky, Schoenberg and the CERN Hadron Collider, Rambert’s exciting and innovative triple bill showed how choreographers can start from utterly different places.

Rambert has a scientist in residence (Professor Nicola S. Clayton), but it was artist Katie Paterson who took Mark Baldwin to CERN, where he found out about the properties of quarks. The Strange Charm of Mother Nature is a virtuoso dance piece in two movements; the first, to Stravinsky’s Dumbarton Oaks, gives us slow duets, set against dancers who ricochet across the stage like neutron stars; the second, to Bach’s third Brandenburg Concerto, bursts through space in a blaze of colour with spectacular spins and leaps, the embodiment of cosmic energy, yet strangely cool and scientific. (more…)