I had seen Peter Wright’s The Nutcracker once in the 1980s, but its performance by the Royal Ballet on Saturday was a revelation to me.   I had completely forgotten how, by beginning and ending the story with Herr Drosselmeyer, Wright gives the action a unity, logic and coherence that is often lacking in this ballet, which can so easily fall into two virtually separate parts.

The conjuring and special effects, above all the magical growing Christmas tree, entranced an audience that was liberally sprinkled with small children, but it was the quality of the dancing and the drama that made this performance a special one. It felt like a new ballet. (more…)

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