The Times dance critic Donald Hutera’s 4-day festival of contemporary dance concludes with an eclectic array of diverse and dynamic performances. The final evening showcases some of the highlights from previous nights of the four-day festival, yet also introduces new works for the audience to experience for the first time in this central Oxford venue.

The show on the mainstage of the Old Fire Station is preluded by informal installation Remember to Remember choreographed by Mara Vivas. As the audience enter the intimate space, they are encouraged by a written sign to “touch, watch, listen, write.” These instructions are somewhat ambiguous, yet the dancers’ (Vivas herself accompanied by My Johansson) perform with an openness that invites spectators to participate. (more…)

Women GOLive has continued to surprise, excite and entertain Oxford audiences with eclectic but well chosen performances of highly original work. The second and third nights of this four-night run included traditional and experimental South Asian dance from Arunima Kumar and Anuradha Chaturvedi, new contemporary dance works from visiting artist Salah El Brogy and Welsh company Ffin Dance (who bravely gave new takes on iconic music), a fresh work from Hanna Wroblewski, Mara Vivas’ and My Johansson’s interactive performance installation, and humour from Sarah Kent and Aliki Mbakoyianni. A terrific line-up. (more…)

Another exploratory, innovative and exciting programme of original dance work has just been presented at Oxford’s Old Fire Station Theatre under the aegis of Donald Hutera. Hutera’s remarkable ability to gather together able but neglected choreographic skills and to present them in a continually-changing four-day programme has already been demonstrated at the nearby Burton Taylor Studio. On this latest occasion, however, despite there being no diminution in the range of remarkably distinctive approaches on offer, the overall impact was far more cohesive.

For this three elements seem primarily responsible. The first is the universality of the myth and legend on which much of the work draws; the second is the power – on a bare stage – of the overall visual impact of each of these pieces, and the third is the extraordinary range of emotional intensity evoked by the quality of these performances – drawing chuckles and tears and the long silence of chastened realisation that precedes the best appreciative applause. (more…)

How fitting that on the day that a woman took over at 10 Downing Street, Oxford was celebrating the work of women choreographers and dancers in first night of the Women GOlive programme.

Curator Donald Hutera has brought together an impressively novel and varied selection of works by local, national and international artists, which last night ranged from an intensely focussed Butoh-based solo by Ana Barbour, through Jane Connelly’s liquid contemporary dance style, to the disconcerting humour and provocative wit of Susan Kempster, performance poet Jemima Foxtrot and Aliki Mbakoyianni. (more…)