Join the happy crowds at Cowley Carnival’s Global Dance Stage at Manzil Gardens which will be showcasing some of the huge variety of dance activity Oxford has to offer, featuring performances by schools, youth and community groups and companies.

The companies, in order of appearance are: Headington Dance School Dance Scholars, Yuka Kodama Ballet Group, Identity Youth Dance Project, Stagecoach Abingdon Dance Troupe, Dancemania Senior Performance Group, Deddington Youth Dance Co (Juniors),  Implexa Dance Company, Dance with Sinjini, Bollywood Masterclass, Mini Professionals Dance Academy, Attitude Dance School, Ashnah, The M Word Dancers,  Strawberry Fayre Majorettes, Afrofusion, African Dance Masterclass, Messy Jam Dance Company, União da Mocidade Samba, Mims Bellydance, Al Amari Dabke Dances and Sol Samba.

Presented by Dancin’ Oxford

Date:  July 1, 2018, 12pm – 5pm

Venue: Grounds of Asian Cultural Centre, Manzil Way, off Cowley Road, Oxford OX4 1GE

Free and suitable for all ages

More information about Cowley Carnival can be found here

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Based in East Oxford Marhaba is a popular and well established collaboration between various Oxford groups providing a platform for sharing music and dance between diverse communities – making the international local.  As part of the Discovery Zone of this year’s Cowley Carnival and curated by Confluence Collective, Marhaba will be hosting The World Stage at the Church of St Mary and St John with an international range of music and dance provided by locally based artists, guests and enthusiasts, to listen to, watch and join in… see below for the schedule.

This rich and welcoming event will throughout the day also include film shows of the work of Oxford dance artist Ana Barbour (1966 – 2017) to whose memory the event is dedicated, as well as poetry and music.

Key performance times are:

12.00 Film and ad hoc performance
1.25 Mue
1.40 Shakhosi
2.00 Dabke dance workshop by visiting Ramallah group
2.30 Café Reason Butoh Dance Theatre
2.45 Rumi for one more – interpretations and reflections on the work f Rumi
3.45 Pencak Silat Indonesian dance and music
4.00 The Littlemore Oratorio (abridged version)

When:  Sunday 1st July, 12.00-5.15pm

Venue:  Church of St Mary & St John, 1 Leopold Street (off Cowley Road), Oxford OX4 1PS

All welcome, no charge

Find out about this event here

Find out more about Marhaba here

Find out more about Ana Barbour and her work here

Further information about Confluence Collective here

 

DANSOX and the Liveness, Hybridity & Noise Series join forces for this multi-disciplinary presentation of three new works that stretch the synthetic possibilities of music and dance. Over a four-day residency at St Hilda’s College, one of Holland’s leading contemporary music groups, Ensemble Klang, will be working with three composers from Oxford and a team of leading contemporary dancers and choreographers (Malgorzata Dzierzon, Estela Merlos, Patricia Okenwa, Liam Riddick and Piedad Albarracin Seiquer). ‘Open’ rehearsals will take place each afternoon on 4-5 July (15:00–17:00), as well a fully-staged performance at 19:30 on Friday 6 July (tickets required for all sessions and spaces limited so booking early advised).

CUE by Anna Appleby (Rambert Music Fellow and St Hilda’s alumna) is a quirky and comical piece that plays with the audience’s perceptions of the boundaries between dance and music. Grim’s Ditch by composer Joel Baldwin (St Hilda’s) explores melancholia, politics, artistic expression and meaning through the layering of multimedia, sound and physical motion.  Joel’s work features the talented Austrian vocalist Michaela Riener, whose recent solo engagements include works by Steve Reich, Michael Gordon (with dance company EmioGreco|PC), Louis Andriessen (La Passione, TAO) and Hanns Eisler (with the Asko|Schönberg Ensemble).  Her soloistic capabilities, as well as her experience with Ensemble Klang and numerous early music ensembles, make her the ideal candidate for this central role of Grim’s Ditch.  Joseph Currie (Wadham) investigates different kinds of time in movement, motivated by the structural difference of heartbeats and breaths, alongside ideas about gendered breath and the expressive apparatus behind screaming.  A new instrumental piece for the ensemble, written by former Oxford composer, Sophie Sparkes, will also be premiered at the main performance on Friday evening.

Anna Appleby – CUE
Joel Baldwin – Grim’s Ditch (feat. Michaela Riener – mezzo soprano)
Joseph Currie – How many eyes do we have then, being two…
Sophie Sparkes – new work

Both open rehearsals (3-5pm on 4th and 5th July) and the performance at 7:30pm on 6th July will be livestreamed.

Date(s):  Friday, 6 July 7:30pm
Venue:  Jacqueline du Pré Music Building, St Hilda’s College, Oxford OX4 1DY
Tickets:  £25 (+£5 per open rehearsal session); £15 students (free entry to open rehearsals) Available online here
St. Hilda’s Alumnae Ticket Offer:  There is a 20% discount offer available for the alumnae of St. Hilda’s College to mark the 125th Anniversary of St. Hilda’s College. Please email the Development Office for more information.

You can find more information about this event here

Swan Lake remains at the heart of the classical ballet repertoire. Its choreography by Marius Petipa and music by Tchaikovsky have ensured its place in any dance company worth its claim to pre-eminence. And the music’s 19th century blend of the classical with the romantic has ensured audiences with a love of great music if only a passing interest in dance. Nevertheless, it has to be said that the growth of contemporary choreography and the increased number of smaller dance companies have rather reduced the appetites of both dancers and audiences for this extremely demanding, long, old, and often tired ballet. I include myself among those who have felt they had seen enough Swan Lakes to happily miss the next one. It is with this in mind that I say how suddenly I have been swept off my feet and made to believe again in the evergreen nature of the work, its music, its potential for surprise. (more…)

Becoming an established fixture in Oxford’s arts calendar this year’s Offbeat Festival is the third, now bigger and better with over 60 shows across five spaces in the centre of Oxford from the 22nd to the 30th June.  The Festival aims to offer some of the best up-and-coming contemporary performing arts including  theatre, comedy, dance, music, spoken word and family entertainment.  Why not take a risk, dive in and encounter the fantastic creativity of artists from across the country in a stunningly varied programe of work, all new to Oxford.

Dance is represented by three short performances at the Old Fire Station as follows:

Wednesday 27th June 6.15pm:  Thomas Page Dances in Normative

“Categorised. Converted. Conformed.”  This intense work delves into the recent traumatic events of Chechnya, Russia and challenges the way societies create conformity.  Using contemporary dance infused with the virtuosic stylings of Vogue and Contortion this mesmerising performance creates a powerful reflection on the reality of today’s society. It will make you question “Is being normal really worth it?”

Tickets: £10 available on the door, or online here

Running time:  50 minutes

Thursday 28th June 6.15pm:  Forged Line Dance in Lina

A powerful and playful contemporary dance duet, inspired by the lives of brother and sister astronomers William and Caroline Herschel.  Both talented musicians and celebrated scientists, they studied the universe and mapped the stars from their back garden in 18th Century Bath. Lina delves into their complex relationship, where family ties are tested by individual ambition. Dancers swoop and soar like comets, taking us on an extraordinary journey of stars, music and family.

“This was the performance of two exceptionally talented dancers, delivering a choreographic narrative of tangible beauty and humanity…truly enchanting”– Bathcast

Tickets:  £10 available on the door or online here

Running time:  50 minutes

Friday 29th June 7.00pm:  Drishti Dance in Facet

Facet is a Kathak double bill featuring two interlinked works, exploring the evolving facets of the classical Indian form; a reflection on its ever changing aesthetics as it collides with modern values.  Aur-Ek Antaraal contemplates the poetical abstraction of contemporary Hindi poem ‘Aur Ek Antaraal’ penned by India based Dr Rashmi Chaturvedi.  Re-Textured is a study of rhythm, textures and structures. It creates space for reformulating movement vocabulary through absorbing  contemporary human experiences.

Tickets:  £10 available on the door or online here

Running time:  1 hour

Find out more about the Offbeat Festival and check out the complete programme here

Images Ballet Company is the performing group of the graduating ballet students at London Studio Centre, and their appearance at Cornerstone last night was an exciting opportunity to see new dancers and new (or nearly new) works. Artistic Director Jennifer Jackson presented a programme of dances by four choreographers (Hubert Essakow, Erico Montes, Bim Malcomson, and Morgann Runacre-Temple), which demanded lyricism, attack, humour and acting ability, and the dancers rose to the occasion magnificently. (more…)

This riotous and colourful production had a lot to recommend it. The Rumplestiltskin fairytale was given a new twist, with the title role a more rounded character and sympathetic backstory than in traditional renditions. This was a clever device (with credit to Carol Ann Duffy as Scenario Writer), as the storyline became less about old-fashioned heroes and villains, and more about values such as family, community and embracing difference and diversity. (more…)